Drawings exhibited at Substation Gallery, Paddington for "On|In Paper" Jul 2 - 28 2013.
Donated to Auction at 4A Centre for Contemporary Asian Art.
Here is a photo of Nicola Morton's drawing "S&M: Equalizer 24k" installed by Kelly Keating..thanks :-)
Nicola Morton took up drawing when her Radical Computer Music teacher, Goodiepal (Kristian Paarl Vester) told her she just had to do it. If drawing in crayons made her happy, just do it. She didn't only have to do music. So, she distinctly draws to make herself happy, to alleviate visions and dreams from her subconscious and connect to the earth again.
S&M DVD is available on mailorder via nicolaisgreat@gmail.com - a 2 hour DVD anthology of works of Nicola Morton and Simbi Dare.
Showing posts with label simbi dare. Show all posts
Showing posts with label simbi dare. Show all posts
Wednesday, 16 October 2013
Thursday, 15 August 2013
MAIL ORDER DVD-R - "S&M'
I have been asked by Simbi Dare to take down all our works together. I have compiled a 2 hour DVD of edits of our performances. $AU25 plus postage nicolaisgreat@gmail.com
RITUALS THAT WILL CHANGE YOUR WORLD
--> This is a 2 hour DVD sampler of the works between Simbi Dare and Nicola Morton. They met in 2006 in Berlin and were discovered by Japanese-German Musician and artist, Hanayo, their works featuring in her books "MAGMA" and "hanayo's saugeile kumpels." Simbi Dare (from Bruno Wizard & the Homosexuals (NYC), yoga guru) and Nicola Morton (from Club Sound Witches, award winning film 'Remote Viewing Experiment #1') channel the puzzling traumas of dream and desire for social transformation.
Here are two previously published photographs
film still from "12 Ways to Masturbate with a Melodica" published in Pipeline Jan/Feb 2012, Hong Kong
photo by Gato Susilo from "How I Survived a Kunitlanak Attack" published for ICAN Catalogue (Indonesian Contemporary Art Network), 2011
This is the original drawing/collage for the cover.. exhibited at Substation Gallery and hopefully sold for 4A Fundraiser - Contemporary Asian Art Gallery.
RITUALS THAT WILL CHANGE YOUR WORLD
--> This is a 2 hour DVD sampler of the works between Simbi Dare and Nicola Morton. They met in 2006 in Berlin and were discovered by Japanese-German Musician and artist, Hanayo, their works featuring in her books "MAGMA" and "hanayo's saugeile kumpels." Simbi Dare (from Bruno Wizard & the Homosexuals (NYC), yoga guru) and Nicola Morton (from Club Sound Witches, award winning film 'Remote Viewing Experiment #1') channel the puzzling traumas of dream and desire for social transformation.
Here are two previously published photographs
film still from "12 Ways to Masturbate with a Melodica" published in Pipeline Jan/Feb 2012, Hong Kong
photo by Gato Susilo from "How I Survived a Kunitlanak Attack" published for ICAN Catalogue (Indonesian Contemporary Art Network), 2011
This is the original drawing/collage for the cover.. exhibited at Substation Gallery and hopefully sold for 4A Fundraiser - Contemporary Asian Art Gallery.
Monday, 27 August 2012
Essay: Psychedelia Now
excerpts from
--> Moody, Sebastian “Psychedelia Now” (2012) Art & Australia Vol 49/4 pp616-623
-->
-->
-->
Nicola Morton & Simbi
Dare, How I Survived a Kuntilanak Attack,
(24/10/2011) 60min Performance. Photo by Gatot Susilo. Indonesian
Contemporary Art Network,Yogyakarta, Indonesia. Creative Commons: Attribution.
(L-R) Unknown, Me, Unknknown, Simbi Dare, Antariksa Id (director of ICAN)
--> Moody, Sebastian “Psychedelia Now” (2012) Art & Australia Vol 49/4 pp616-623
-->
Researching this
exhibition I was struck by American cultural critic Dave Hickey’s curious
observation that psychedelia is more feminine than masculine, one of the
reasons he believes that the original psychedelia was never sanctified as a
significant ‘ism’ in the history of western art.
-->
Hickey elaborates that other transgressive movements such as surrealism
and abstract expressionism are ‘easily fovgiven because they celebrate
masculine interiority...
However for the
purposes of this essay, rather than taking Hickey’s general claim as a starting
point, I have mapped significant parts of this aesthetic through examining the
practices of four contemporary Australian women Artists: Noël Skzrypczak, Natalya
Hughes, Nicola Morton and Belle Bassin. Each of these artists comes at the
legacy of psychedelia from a different angle and by placing them together they
start to illustrade the wider contemporary trend.
-->
Nicola Morton’s
performances also weave idiosyncratic pop sensibilities in a way that alludes
to mystical truths with a kind of faux naivety. During 2011 the Brisbane-based
artist travelled to Indonesia where she collaborated with female Amercan artist
Simbi Dare on a number of performances including Dreamtime Aksi Revolusi, How I survived a Kuntilanak Attack
(Transforming Women on Women Rage) and The Shamanic Death of Capitalism.
These performances present a seemingly endless range of non-western mysticisms,
including native North American medicine card-playing and Indonesian ghost
storytelling in combination with tarot crad readings, karaoke, Deleuze and
Guattari recitals, video mash-ups, cheap disco lights, smoke machines and
audience interaction as a kind of self-help workshop in a nightclub. Despite
their mania such works function as ritual as each performance has a specific
goal and an intended target that Morton and Dare seek to challenge.
Monday, 19 December 2011
Dreamtime with Simbi Dare and Nicola Morton - AKSI REVOLUSI
Nicola Morton as The Rabbit
and
Simbi Dare as The Dragonfly
Escort you to Dreamtime in between the Banyan Trees, October 26 2011 at Alun Alun Kidul, Yogyakarta - the resting place of the gods and then sing...
-->
Saat hidup, Saat mati
Saat hidup, Saat mati
Saat hidup, Saat mati
Saat hidup, Saat mati
Saat hidup,
AKSI REVOLUSI
Kalian akan mati, untuk apa
Kalian akan mati, untuk apa (AKSI)
Kalian akan mati, untuk apa
Kalian akan mati, untuk apa
AKSI REVOLUSI
Membakar kengarian pemerintah yang berkuasa
Dengan pistol mengarah ke kepala
Saya menyadari apa yang tidak saya dapatkan
Banyak orang punya kekuatan tapi tidak satupun dari kita semua
Setiap jam media katakan apa yang salah
Berdiri di dalam tenggorakan singha dan saya mau tau
hidup kalian menyebalikan di bendingkan dengan hidup saya dan teman2 saya
Perusak ke tengah2 ikut hati mu
AKSI REVOLUSI
Kita akan mati, untuk apa?
Kita akan mati, untuk apa? (AKSI)
Ini bukan merusak diri sendiri
Ini bukan merusak diri sendiri
AKSI REVOLUSI
and
Simbi Dare as The Dragonfly
Escort you to Dreamtime in between the Banyan Trees, October 26 2011 at Alun Alun Kidul, Yogyakarta - the resting place of the gods and then sing...
-->
Problem: Revolution action is needed to change the
fabric dimension of society to a place where we all hold empathy and have what
we need - a dreamtime dimension. S&M's penultimate performance in
Indonesia. Nicola and Simbi's medicine cards that represent our link to above
and other dimensions are the Rabbit (fear) and the Dragonfly (illusion). This
performance was to transform the fears and illusions we had presented in our
previous performances and use the energy to expose the world to dreamtime. We
used a famous public gateway in Yogyakarta, the banyan tree gates at the
Sultan's Palace. According to tradition if you walk from the top of the park
thru the middle of the gate you will have unlimited success. Every night locals
and tourists try to get thru the cosmic gateway, often other musicians and
people trick and distract you from getting through the gate. Dressed as the
rabbit and dragonfly we tried to make our way through the 2 trees. On our 3rd
attempt, we finally got to the middle and unpacked the gender (Javanese
xylophone) and microphone and sang the lyrics of Atari Teenage Riot's
"Revolution Action" which we had modified and translated to Bahasa
Indonesian (a language not native to the area, but a simple, universalizing
language of the area). At the end we wanted to destroy the rabbit and dragonfly
as they draw fears toward us and get trapped in illusion. So the rabbit was
eaten by a Javanese wooden tiger puppet and the dragonfly costume was going to be
burned but at the last minute Simbi decided to give the costume to a little
girl who had watched the whole performance in the audience. Having shed our fears and
illusions, we get through the gate. That night Simbi met a new friend who has tattooed on his chest,
"Be Careful What You Wish For." We drew new cards for our entrance to
dreamtime, Nicola is the antelope or knowledgeable action and Simbi is the
butterfly, or projects and transformation. For Christmas Simbi performed a
potlatch, or Native American ceremony in which you give away and burn all your
belongings. An enormous sparkly dragonfly divebombed into the fire.
Tuesday, 13 December 2011
How I Survived a Kuntilanak Attack (Transforming Women on Women Rage)
Women are often oppressed in society by men and
their fellow women and can’t express their feelings and anger. This oppression
can give women a supernatural power which might lash out at just anyone without
them even being consciously aware. Since revenge seems impossible in the
physical world this causes powerful living spirits to emerge such as kuntilanak
and sundel bolong (Indonesian female ghosts). However when this
repressed violence becomes supernatural, kuntilanak tend to take it out
on just about anybody, that’s why everyone is afraid of kuntilanak. This
performance is about recognizing that from having this living spirit given to
us thru oppression we can use it consciously rather than unconsciously to
change society.
Simbi and Nicola have faced living spirits before
and recognize the challenge of going further than being captivated by them.
Derrida in Specters of Marx (1994) describes our struggle as follows:
“One must have the ghost’s hide and to do that, one must have it. To have it, one must see it, situate it, identify it. One must possess it without letting oneself be possessed by it, without being possessed of it (…) Is not to possess a specter to be possessed by it, possessed period? To capture it, is that not to be captivated by it?”
So first we taunt the audience and embody the specter
by singing "Spellbound" by Siouxie and the Banshees and then
"Girls" by the Beastie Boys (“I want.. girls to clean the bathroom”)
on the gender, a traditional Javanese xylophone (the only one a woman can
traditionally play). We also give out locally made clove cigarettes and
newspapers. Simbi and I are women taking on women ghosts and so we sing
"Boom I Got Your Boyfriend" to set the scene for this women on women
anger. Then comes time for transformation as we offer up our bodies for
violence from the crowd and recreate our sense of victimization (a là Marina
Abramovic “Rhythm 0” (1974)). We absorb the oppression and then transform it into
screams, anger and sadness, whilst at the same time documenting our screams and
keeping the energy in the physical world. The idea is that women’s supernatural
power is potentially a force for societal transformation if used consciously.
We decide to support women making music together, We recommend riotgirl music
(like Sleater Kinney) for everyone by giving out free mix CDS. We then sing
"I Wanna Be Your Joey Ramone" first remixed jungle style then again
on the gender. We harnessed the supernatural power of repressed women to
consciously change society.
Labels:
asia,
asialink,
beastie boys,
DIY,
indonesia,
karaoke,
live art,
MC Luscious,
performance art,
performance photos,
post colonial,
psychoanalysis,
simbi dare,
siouxie and the banshees,
sleater kinney
Monday, 8 August 2011
Legally Lolita - A Performance about our Fathers
Problem: We are all affected by patriarchal power, the manipulations of our fathers- the lawmaker (my dad) and the self-made man (simbi's dad), mirror the way society tries to manipulate us through intimidation, isolation and flattery.
Part 1- Addresses how our father figures are liars and stealers who project their crimes onto us. We are dressed as schoolgirls and are caught stealing and sing a capella Jane's Addiction's 'Been Caught Stealing' accompanied by toy electric guitar. We are accompanied by projections of Rush Limbaugh, Bill Gates, Tiger Woods, President Suharto.
Part 2 - Is about how discipline intimidates you and tricks you into wanting it and being sorry and instead you have to learn to speak up against it. Nicola sings Throbbing Gristle's 'Discipline' and builds a jail out of duct tape, while Simbi jams noise style over the top. Then Simbi dressed as a policeman gives orders to Nicola like a dog, like "Sit!," "Roll Over," "Get Back in Jail" and Nicola obeys. Then when in jail, Nicola apologises over and over again "Sorry, sorry" and then Simbi reveals she is just a schoolgirl and teaches Nicola to say "I'm not sorry" and "Why the fuck, should I be sorry."
Part 3 - By using the power of sharing a joint and becoming gothic lolita's we temporarily escape the discipline and jail of our fathers and play hand clap games and jump rope, but we get caught and tied up in the image of lolita's as Reese Witherspoon in Clueless and Legally Blonde and Athena, daughter of Zeus.
Part 4- We find better female role models as we transform to our Orisha's, Yemaya (Mother deity and ocean goddess) and Oya (Warrior spirit of the wind, lightning, fertility, fire and magic) and sing "Don't You Love Her Madly" by The Doors- as we successfully walk out the door of the Jail.
Part 5- As the Orisha's and characters from Vera Chytilová's 'Sedmikrásky' (Daisies) We learn how to answer manipulative phrases, ie. "I always wanted to be an intellectual and a lawyer, but you can do that. Well you didn't loser, I have a chance to be a great artist" and "I'll blame your mother and scream at her and hit her. She should leave you if you do that. I am not making you hit her" then Simbi sings Carole King's, 'Tapestry' and Nicola as Oya creates a tornado amongst the gravestones of books.
Part 1- Addresses how our father figures are liars and stealers who project their crimes onto us. We are dressed as schoolgirls and are caught stealing and sing a capella Jane's Addiction's 'Been Caught Stealing' accompanied by toy electric guitar. We are accompanied by projections of Rush Limbaugh, Bill Gates, Tiger Woods, President Suharto.
Part 2 - Is about how discipline intimidates you and tricks you into wanting it and being sorry and instead you have to learn to speak up against it. Nicola sings Throbbing Gristle's 'Discipline' and builds a jail out of duct tape, while Simbi jams noise style over the top. Then Simbi dressed as a policeman gives orders to Nicola like a dog, like "Sit!," "Roll Over," "Get Back in Jail" and Nicola obeys. Then when in jail, Nicola apologises over and over again "Sorry, sorry" and then Simbi reveals she is just a schoolgirl and teaches Nicola to say "I'm not sorry" and "Why the fuck, should I be sorry."
Part 3 - By using the power of sharing a joint and becoming gothic lolita's we temporarily escape the discipline and jail of our fathers and play hand clap games and jump rope, but we get caught and tied up in the image of lolita's as Reese Witherspoon in Clueless and Legally Blonde and Athena, daughter of Zeus.
Part 4- We find better female role models as we transform to our Orisha's, Yemaya (Mother deity and ocean goddess) and Oya (Warrior spirit of the wind, lightning, fertility, fire and magic) and sing "Don't You Love Her Madly" by The Doors- as we successfully walk out the door of the Jail.
Part 5- As the Orisha's and characters from Vera Chytilová's 'Sedmikrásky' (Daisies) We learn how to answer manipulative phrases, ie. "I always wanted to be an intellectual and a lawyer, but you can do that. Well you didn't loser, I have a chance to be a great artist" and "I'll blame your mother and scream at her and hit her. She should leave you if you do that. I am not making you hit her" then Simbi sings Carole King's, 'Tapestry' and Nicola as Oya creates a tornado amongst the gravestones of books.
Thursday, 4 August 2011
Mau ke Bulan - A Journey to the Dark Side of the Moon
A performance that investigates the dark (Lilith) side of the Moon and Mothers. Held at T-Art Space, Ubud, Bali, Indonesia.
Comment By Simbi:
We all know mothers have their dark sides just like anyone and some of
us believe the idealization of mothers is oppressive to culture and
society, as well as mothers, creating layers of shame, guilt, denial,
manipulation, and deception. We decided to dive into the dark sides
of our mothers while at the same time finding our own dark side, using
Dark Moon Lilith as a representation. Astrologically I am a Scorpio
dark moon and Nicola is Virgo. Whitney Houston/Blondie and Woody
Allen. Anyway. We confronted our deepest fears when blindfolded, mine
is to be tortured, Nicola to fall down and symbolically be defaced.
Both Nicola and I felt the need to represent something for our mothers
to help them. Nicola needed to be the stoic Asian elephant and I
needed to be a princess, a saint and a Christmas present. After
confronting our fears, I am tortured after being tied to my princess
throne and being forced to listen to the "Duck Sauce - Barbra
Streisand" song, and she falls down the stairs and has a face drawn on
her ass to symbolize defacement, we are able to detourne our roles by
sexualizing them. Nicola rides the pink elephant and I stab an apple,
wear bows on my shoes and say "Oh God." After releasing the false
roles we open ourselves up to African spirits, Oya goddess of
thunderstorms and dance for me and Yemaya who is an endlessly coming
woman and ocean of endless bliss for Nicola. The projected Virgin
Mary transforms into Madonna, and we quote from Mary Magdalene's
gospel -- disdained by the official version of the Bible -- "I knew
you, but you did not know me, because you mistook my garment for my
true self."
Finally I teach moon salutations to the audience to honor mothers and
their teachings, both dark and light sides of the moon.
Comment By Nicola:
My time in Indonesia, has been marked by a lot of digging up of emotions about my family - submissive wives, Asian wives, Asian family responsibility etc. I did not expect it.
After spending time on the shamanic death of capitalism, Simbi and I realised that a whole lot of negative neurosis were still present in our psyches due to our dysfunctional families (who were also in ways products of the manipulations of capitalism). So, we started with our mothers. We were intrigued about the 'good' archetype of the mother, when there is an obvious bad 'Lilith' side. However this Lilith side offers us strengths as well. Due to us witnessing our mother's very shameful positions, we both have very little shame. Our mothers were both victims and drew us in with sympathy so first we sing "Let it Be." My mother, a victim of her own family's superstitions, subconsciously placed a lot of guilt on me especially after leaving all her family she left my abusive father, as I had to become the father of the family from a young age - she made me into a stoic elephant, to symbolise this I make an elephant out of masking tape on the window and try to fit my figure in it. Simbi was a saint, a family gift, a princess and a pesky cat for her mother, she sings 'When the Saints Come Marching In," I sing James Blunt's "You're Beautiful" as I make her up as the Princess and then Simbi turns into a cat and sings "Wish You Were Here" as I get angry with a pink stuffed cat.
We turn these expectations around by facing our biggest fears when blindfolded - confronting our fears of the dark moon. 'Simbi's fear is to be tortured, so I torture her as the Princess and sing the awfully annoying "Duck Sauce (Barbra Streisand)" song. Then, I face my blindfolded fear of falling down stairs, I myself don't want to be subjugated in the basement. So anyway, I blindfold myself and climb down the stairs to the ground level of the Gallery, while Simbi plays Carole King's "I Feel the Earth Move" - here begins our point of transformation. I fall down the last few stairs, Simbi then 'tortures' me by painting a face on my ass. We are having fun now. I then ride a toy pink elephant and get paint all over it from my ass. We transform then into orisha's (from Yoruba/Africa) with rituals for Oya, Undergoddess of the Niger River and Yemaya, the mother goddess. After we are transformed we do moon salutations with a plucky participant from the crowd.
Comment By Simbi:
We all know mothers have their dark sides just like anyone and some of
us believe the idealization of mothers is oppressive to culture and
society, as well as mothers, creating layers of shame, guilt, denial,
manipulation, and deception. We decided to dive into the dark sides
of our mothers while at the same time finding our own dark side, using
Dark Moon Lilith as a representation. Astrologically I am a Scorpio
dark moon and Nicola is Virgo. Whitney Houston/Blondie and Woody
Allen. Anyway. We confronted our deepest fears when blindfolded, mine
is to be tortured, Nicola to fall down and symbolically be defaced.
Both Nicola and I felt the need to represent something for our mothers
to help them. Nicola needed to be the stoic Asian elephant and I
needed to be a princess, a saint and a Christmas present. After
confronting our fears, I am tortured after being tied to my princess
throne and being forced to listen to the "Duck Sauce - Barbra
Streisand" song, and she falls down the stairs and has a face drawn on
her ass to symbolize defacement, we are able to detourne our roles by
sexualizing them. Nicola rides the pink elephant and I stab an apple,
wear bows on my shoes and say "Oh God." After releasing the false
roles we open ourselves up to African spirits, Oya goddess of
thunderstorms and dance for me and Yemaya who is an endlessly coming
woman and ocean of endless bliss for Nicola. The projected Virgin
Mary transforms into Madonna, and we quote from Mary Magdalene's
gospel -- disdained by the official version of the Bible -- "I knew
you, but you did not know me, because you mistook my garment for my
true self."
Finally I teach moon salutations to the audience to honor mothers and
their teachings, both dark and light sides of the moon.
Comment By Nicola:
My time in Indonesia, has been marked by a lot of digging up of emotions about my family - submissive wives, Asian wives, Asian family responsibility etc. I did not expect it.
After spending time on the shamanic death of capitalism, Simbi and I realised that a whole lot of negative neurosis were still present in our psyches due to our dysfunctional families (who were also in ways products of the manipulations of capitalism). So, we started with our mothers. We were intrigued about the 'good' archetype of the mother, when there is an obvious bad 'Lilith' side. However this Lilith side offers us strengths as well. Due to us witnessing our mother's very shameful positions, we both have very little shame. Our mothers were both victims and drew us in with sympathy so first we sing "Let it Be." My mother, a victim of her own family's superstitions, subconsciously placed a lot of guilt on me especially after leaving all her family she left my abusive father, as I had to become the father of the family from a young age - she made me into a stoic elephant, to symbolise this I make an elephant out of masking tape on the window and try to fit my figure in it. Simbi was a saint, a family gift, a princess and a pesky cat for her mother, she sings 'When the Saints Come Marching In," I sing James Blunt's "You're Beautiful" as I make her up as the Princess and then Simbi turns into a cat and sings "Wish You Were Here" as I get angry with a pink stuffed cat.
We turn these expectations around by facing our biggest fears when blindfolded - confronting our fears of the dark moon. 'Simbi's fear is to be tortured, so I torture her as the Princess and sing the awfully annoying "Duck Sauce (Barbra Streisand)" song. Then, I face my blindfolded fear of falling down stairs, I myself don't want to be subjugated in the basement. So anyway, I blindfold myself and climb down the stairs to the ground level of the Gallery, while Simbi plays Carole King's "I Feel the Earth Move" - here begins our point of transformation. I fall down the last few stairs, Simbi then 'tortures' me by painting a face on my ass. We are having fun now. I then ride a toy pink elephant and get paint all over it from my ass. We transform then into orisha's (from Yoruba/Africa) with rituals for Oya, Undergoddess of the Niger River and Yemaya, the mother goddess. After we are transformed we do moon salutations with a plucky participant from the crowd.
Wednesday, 3 August 2011
The Punisher v. The Fairy Queen (Sibling Rivalry)
This performance transforms the energy from dysfunctional family roles and the influence of 'psychedelic' hippy siblings into a multiplicity of healing roles from our new community - contemporary post-modern popular culture.
Problem: Dysfunctional families generate different archetypes amongst the children such as the 'family hero,' 'scapegoat,' 'mascot' and the 'lost child.' Combined with these roles our siblings have been products of the 70's pyschedelic hippy generation where their individual pursuit of happiness has become a tool for the 'psychedelic' manipulations of capitalism. We tackle personal symbols of our dysfunctional roles (which are mostly also rooted in 'psychedelic uprising') and represent new multiplicity where we can functionally play all the roles and do not succumb to individualisation of identity and become new social healers.
We present our new healing roles: karaoke, hip-hop, Gayatri Spivak, Deleuze & Guattari, electroclash, mutant superheroes, graffiti and feminist noise by using the techniques of data moshing and shredding with projections over the symbols of our siblings: Nirvana, Bon Jovi, Noam Chomsky, Deepak Chopra, Tennessee William's 'A Streetcar Named Desire,' 'Dirty Dancing,' fairy queens, 'A Rebel Without a Cause,' and Brian Jonestown Massacre.
In Part 1 - All Apologies Nirvana v Eminem v Bon Jovi; Deepak Chopra v 'The Subaltern' Spivak v Noam Chomsky v Deleuze & Guattari v Tennessee Williams
In Part 2 - Simbi sings her own electroclash song over footage from 'Dirty Dancing' and Nicola becomes a comic book super hero aka. Rougue or Storm from X-men and sings New World Order by Ministry over Simbi being the fairy queen playing the piano and then becomes a graffitti-ing Punisher over footage from 'Rebel Without A Cause.
In Part 3 - Simbi and Nicola make a noise jam over the top of Brian Jonestown Massacre, during the show the footage was projected on us, so we actually weren't making music to the footage but I think it goes pretty well.
Simbi Comments
story of my life (electroclash v. dirty dancing, sibling rivalry part 2)
Sealskin coat of arms
One turntable and five alarms
Dollhouse furniture I can't break
Canopy bed and lacy drapes
Swamp of ghosts and basement holes
where fire and torture pull us into the mire
My mother's an enormous octopus who oozes tears
My father changes the channel -- one more rape, one more fear
Do you feel insecure? Take it out on me, I'm so very pure
I"ll love you endlessly. In the end I'll even set you free.
My wrists are blood and my lips sewn shut
The leaves change color one more year.
My dreams and visions take me out of here.
Cocoon of music
I wove you with agile fingers and fragile feelings.
Every color of the rainbow soft around me
like dewdrops on fresh flowers.
But I must destroy you
to find my powers.
Do you feel insecure? Take it out on me, I'm so very pure.
I'll love you endlessly. In the end, I'll even set me free.
The forest is deep
The forest is bold.
This is where illusions lose hold.
Geisha shadow
Magic daughter
Writing my destiny with melting face
Broken heels
Throwing ashes
Dead wood
Empty orchestra
Immaculate heart
Dressed in kimono
Lying on the bed
Oragami bats are overhead.
At least you knew me from before
All the cracks in this broken down whore
When I don't know what life is for
We can go to the limit one time more
On a ship
On a trip
this imp is wearing my rainbow dress
I'm wearing his combat boots. Awkward but strange
how well they suit.
He wants to break me down, take me power.
But as usual my words win him over.
I tell him the story of the quilombo in Brazil
where children of escaped slaves are living still
How I scrambled below the waterfall
and breathed deep pure air.
Saw pink river dolphins.
I found my home there.
Goodbye to all my magic styles
gained entrance to every club in new york and berlin through those psychic wiles
Naked I sat clothed in my skin
No tricks, no shadows, no projected ideals
Simply me and all that surrounded me
Together we could be
broken harmony
on part 1:
gayatri spivak's reading of to the lighthouse. the reason mr. ramsey the philosopher couldn't get past "r" in the alphabet is because its the beginning of his own name. representing that western philosophy couldn't progress because it could analyze other things, but didn't understand itself. and he didn't understand himself, incidentally because he couldn't understand his wife, mrs. ramsay.
Problem: Dysfunctional families generate different archetypes amongst the children such as the 'family hero,' 'scapegoat,' 'mascot' and the 'lost child.' Combined with these roles our siblings have been products of the 70's pyschedelic hippy generation where their individual pursuit of happiness has become a tool for the 'psychedelic' manipulations of capitalism. We tackle personal symbols of our dysfunctional roles (which are mostly also rooted in 'psychedelic uprising') and represent new multiplicity where we can functionally play all the roles and do not succumb to individualisation of identity and become new social healers.
We present our new healing roles: karaoke, hip-hop, Gayatri Spivak, Deleuze & Guattari, electroclash, mutant superheroes, graffiti and feminist noise by using the techniques of data moshing and shredding with projections over the symbols of our siblings: Nirvana, Bon Jovi, Noam Chomsky, Deepak Chopra, Tennessee William's 'A Streetcar Named Desire,' 'Dirty Dancing,' fairy queens, 'A Rebel Without a Cause,' and Brian Jonestown Massacre.
In Part 1 - All Apologies Nirvana v Eminem v Bon Jovi; Deepak Chopra v 'The Subaltern' Spivak v Noam Chomsky v Deleuze & Guattari v Tennessee Williams
In Part 2 - Simbi sings her own electroclash song over footage from 'Dirty Dancing' and Nicola becomes a comic book super hero aka. Rougue or Storm from X-men and sings New World Order by Ministry over Simbi being the fairy queen playing the piano and then becomes a graffitti-ing Punisher over footage from 'Rebel Without A Cause.
In Part 3 - Simbi and Nicola make a noise jam over the top of Brian Jonestown Massacre, during the show the footage was projected on us, so we actually weren't making music to the footage but I think it goes pretty well.
Simbi Comments
story of my life (electroclash v. dirty dancing, sibling rivalry part 2)
Sealskin coat of arms
One turntable and five alarms
Dollhouse furniture I can't break
Canopy bed and lacy drapes
Swamp of ghosts and basement holes
where fire and torture pull us into the mire
My mother's an enormous octopus who oozes tears
My father changes the channel -- one more rape, one more fear
Do you feel insecure? Take it out on me, I'm so very pure
I"ll love you endlessly. In the end I'll even set you free.
My wrists are blood and my lips sewn shut
The leaves change color one more year.
My dreams and visions take me out of here.
Cocoon of music
I wove you with agile fingers and fragile feelings.
Every color of the rainbow soft around me
like dewdrops on fresh flowers.
But I must destroy you
to find my powers.
Do you feel insecure? Take it out on me, I'm so very pure.
I'll love you endlessly. In the end, I'll even set me free.
The forest is deep
The forest is bold.
This is where illusions lose hold.
Geisha shadow
Magic daughter
Writing my destiny with melting face
Broken heels
Throwing ashes
Dead wood
Empty orchestra
Immaculate heart
Dressed in kimono
Lying on the bed
Oragami bats are overhead.
At least you knew me from before
All the cracks in this broken down whore
When I don't know what life is for
We can go to the limit one time more
On a ship
On a trip
this imp is wearing my rainbow dress
I'm wearing his combat boots. Awkward but strange
how well they suit.
He wants to break me down, take me power.
But as usual my words win him over.
I tell him the story of the quilombo in Brazil
where children of escaped slaves are living still
How I scrambled below the waterfall
and breathed deep pure air.
Saw pink river dolphins.
I found my home there.
Goodbye to all my magic styles
gained entrance to every club in new york and berlin through those psychic wiles
Naked I sat clothed in my skin
No tricks, no shadows, no projected ideals
Simply me and all that surrounded me
Together we could be
broken harmony
on part 1:
gayatri spivak's reading of to the lighthouse. the reason mr. ramsey the philosopher couldn't get past "r" in the alphabet is because its the beginning of his own name. representing that western philosophy couldn't progress because it could analyze other things, but didn't understand itself. and he didn't understand himself, incidentally because he couldn't understand his wife, mrs. ramsay.
Labels:
artist statement,
asia,
collaboration,
deepak chopra,
deleuze and guattari,
gayatri spivak,
karaoke,
live art,
nicola morton,
noam chomsky,
performance photos,
post colonial,
psychoanalysis,
residency,
simbi dare,
text,
video
Tuesday, 2 August 2011
12 Ways to Masturbate with a Melodica
at Mangkubumen Art Party di Pendopo Mangkubumen, Universitas Widya Mataram, Yogyakarta
Problem: Judgement of sexual identity and selfishness of masturbation
This was a plan to enter the collective fantasy in 5 minutes by "veiling" masturbation concepts one note on the melodica at a time. By using the "veil" of conceptualisation and musical keys we expose 12 different auto-erotic acts as gateways to the collective, playful and international sexual fantasies of the collective unconscious. The problem of taking a selfish narcissistic act and immersing it in a crowd re: Slavoj Zizek in "Violence" (2008), is counteracted by sharing and healing ie. by giving away each hand decorated melodica and healing with our noise music. Our 12 Melodica masturbation themes are: c-fantasy, c#-paint, d-thumbs, d#-flowers, e-chains, f-asphyxiation, f#-stars, g-humping, g#-scissoring, a-water, a#-pressure, b-knife. By not communicating anything of a sexual nature to the audience, we are trying to prove sexual fantasy is not just a western prerogative/consumer product but something more rooted in the earth and in the spaces between our consciousnesses and of course the human‘s playful nature. Children start to play along in the performance which supports the subconscious playfulness and collective nature of our auto-erotic fantasies
Problem: Judgement of sexual identity and selfishness of masturbation
This was a plan to enter the collective fantasy in 5 minutes by "veiling" masturbation concepts one note on the melodica at a time. By using the "veil" of conceptualisation and musical keys we expose 12 different auto-erotic acts as gateways to the collective, playful and international sexual fantasies of the collective unconscious. The problem of taking a selfish narcissistic act and immersing it in a crowd re: Slavoj Zizek in "Violence" (2008), is counteracted by sharing and healing ie. by giving away each hand decorated melodica and healing with our noise music. Our 12 Melodica masturbation themes are: c-fantasy, c#-paint, d-thumbs, d#-flowers, e-chains, f-asphyxiation, f#-stars, g-humping, g#-scissoring, a-water, a#-pressure, b-knife. By not communicating anything of a sexual nature to the audience, we are trying to prove sexual fantasy is not just a western prerogative/consumer product but something more rooted in the earth and in the spaces between our consciousnesses and of course the human‘s playful nature. Children start to play along in the performance which supports the subconscious playfulness and collective nature of our auto-erotic fantasies
Labels:
artist statement,
asia,
asialink,
collaboration,
live art,
nicola morton,
performance art,
performance photos,
post colonial,
psychoanalysis,
residency,
simbi dare,
slavoj zizek,
text,
video
Friday, 1 July 2011
The Shamanic Death of Capitalism, Jogja National Museum, June 24, 2011 - Performance Photos & Video Pt 1
Text and Artist Statement - Click Here
Performance with Simbi Dare, sponsored by Asialink, Arts Queensland, Australia Indonesia Institute.
Performance with Simbi Dare, sponsored by Asialink, Arts Queensland, Australia Indonesia Institute.
Labels:
asia,
asialink,
audio,
end of capitalism,
indonesia,
live art,
nicola morton,
performance art,
performance photos,
psychoanalysis,
radical computer music,
residency,
shamanic death,
simbi dare
Monday, 20 June 2011
Activities and Text for Shamanic Death of Capitalism - Seven Acts
Introduction – Shamanic Death of Capitalism – A death rite for society to get rid of capitalism so society can transform into a magical healer.
SD: The bat in the medicine cards represents shamanic death. The trial
before a person can become a shaman. All your emotional psychological
and physical wounds or weaknesses are pressed upon before you sleep in
the grave you dug for yourself for a night. In the morning you become
a shaman.
It occurred to me that capitalism uses people's emotional
psychological and physical wounds in advertising, in order to
manipulate people for a profit. Instead of pressing upon them,
capitalism manipulates them, so that they don't become conscious in
the audience. I thought it would be interesting to intensify the
advertising such that instead of an unconscious message that
manipulates, it becomes a conscious message that causes pain yet
brings clarity and freedom. Right before the show we found a dead bat.
Act One – House of the Rising Sun
NM: This song is about saying goodbye to the family, we are getting ready for a spiritual journey. Our mother and father do not matter anymore, the house of the rising sun is between worlds – life and new life – from New Orleans – the death voodoo capital of USA. Then from LA, home for runaways and satellite of capitalism comes Joan Jett Karaoke "I Love Rock & Roll."
Act Two – My Favourite Things
NM: This song we sing a capella. It opens our throat chakra. The song “My Favourite Things” starts .. you are invited To scream about your favourite things. While Nicola and Simbi lead you by screaming desires from primal, (ie. sex) territorial, facist, despotic and capitalist desires (ie. fur coats). Audience will be led to scream out their favourite things.
Act Three – Runway:
SD:When I was trying to raise money to get to Indonesia, I offered to do
several things for donation, including walk on people with high heels
and symbolically destroy capitalism. That option was surprisingly
popular. This became the seed of the idea to create a mock fashion
show where we walk on the audience -- and each other -- with
stilettos, reveling in the sadomasochistic underpinnings of fashion
desire.
NM: Fashion has potential for revolution, it creates so many personalities and is weirdly accepting of every genre, but is always Over The Top. It is one of capitalism’s desire industries. But maybe it can evolve away from capitalism. Have you suffered extreme pain for fashion, think about your desires. Watch Simbi and Nicola walk the runway and each other in their stillettos while the one lying down sings the song. Then you can participate and allow sexy chicksi to walk on you with sexy shoes, while they sing, watch them stumble, feel the pain and know that you are doing it for love for ending capitalism. Capitalism and fashion die for a new fashion. Songs remixed and sung by Nicola and Simbi – “Tainted Love”, “Sweet Dreams.”
Act Four – Branding – Sticky Tape
NM: Our desires are linked to our visual representation. From early times we branded our skin, primal branding tattoos of animals to despotic tattoos, then came the notion of representing yourself in the world as “good” or “bad” but now we are in an era of capitalism branding – a total explosion of many different brands that don’t mean a thing. no longer on skin but in your mind, in the media, representing total artificial – no more good and bad, so again we take it further. We will cover ourselves with transparent sticky tape, coloured sticky tape, take photos of each other, create fake brands on white stickers, rebrand the walls and each other, while Nicola and Simbi re-enact and remix a Sony TV Commercial, by singing Knife “Heartbeats” and throwing multi colored balls in the air. The crowd will make themselves like mummies, so the capitalist media cannot enter our brains, eyes, nose, chakras.
Act Five – Swings
NM: Get ready to fight with your psychic powers. To duel, to fight each other blind. If you want to get on swing, you can put kenong over your head and we give you a stick – then you can stand on the swings we built here, and try to hit other people’s kenong heads with stick to make sound. People standing can use helmet and blindfold and chains, everyone else need to run away. Simbi will play Debussy “Exotiques” and “Canopes” to represent this trance like sound – which originates here in jawa – the gamelan – to give everyone psychic power.
Act Six – Stacks On Slayer
NM: “Stacks On” is an Australian term, it is related to sport and punk music. It is when one person falls on the floor and then everyone jumps on top of them, creating a suffocating rubbish pile. Capitalism creates so much Rubbish. Listen to these two songs, which do you like better? They are songs by Slayer. The first is called Angel of Death, the second one is called Raining Blood. Which do you like better? The audience creates rubbish piles to vote for each song to symbolise the excessive rubbish that captialism creates.
Act Seven – Death Metal Yoga
SD: As to the yoga to death metal, I often thought music used for yoga is
a bit cliche. Seemed like a lot of times life is more like death
metal than a contemporary remix of Indian chant, I thought its
interesting to explore the feelings associated with noise and metal.
I've often found listening to noise and metal to be a blissful
experience, so why not make yoga more blissful in a new, modern way.
Metal has also symbolized the revolt from tradition and the
exploration of dark emotions and shadow material in a variety of
cultures all over the world. In the yoga community coming to peace
with the shadow and dark emotions is rarely explored, and I think
that is a significant weakness in the movement. Traditional
structures are inevitably crumbling and its good to find peace within
their destruction. I read passages from the Tibetan Book of the Dead
in which prayers are said to guide you safely through the underworld
so that you can be reborn as bodhisattva. This is to symbolize
guidance through the death of capitalism and of the 4th Sun into the
5th Sun (Mayan) safely and in fact blissfully.
Encore – Nina Simone “I’ve Got Life” – Simbi sing and piano,
SD: The bat in the medicine cards represents shamanic death. The trial
before a person can become a shaman. All your emotional psychological
and physical wounds or weaknesses are pressed upon before you sleep in
the grave you dug for yourself for a night. In the morning you become
a shaman.
It occurred to me that capitalism uses people's emotional
psychological and physical wounds in advertising, in order to
manipulate people for a profit. Instead of pressing upon them,
capitalism manipulates them, so that they don't become conscious in
the audience. I thought it would be interesting to intensify the
advertising such that instead of an unconscious message that
manipulates, it becomes a conscious message that causes pain yet
brings clarity and freedom. Right before the show we found a dead bat.
Act One – House of the Rising Sun
NM: This song is about saying goodbye to the family, we are getting ready for a spiritual journey. Our mother and father do not matter anymore, the house of the rising sun is between worlds – life and new life – from New Orleans – the death voodoo capital of USA. Then from LA, home for runaways and satellite of capitalism comes Joan Jett Karaoke "I Love Rock & Roll."
Act Two – My Favourite Things
NM: This song we sing a capella. It opens our throat chakra. The song “My Favourite Things” starts .. you are invited To scream about your favourite things. While Nicola and Simbi lead you by screaming desires from primal, (ie. sex) territorial, facist, despotic and capitalist desires (ie. fur coats). Audience will be led to scream out their favourite things.
Act Three – Runway:
SD:When I was trying to raise money to get to Indonesia, I offered to do
several things for donation, including walk on people with high heels
and symbolically destroy capitalism. That option was surprisingly
popular. This became the seed of the idea to create a mock fashion
show where we walk on the audience -- and each other -- with
stilettos, reveling in the sadomasochistic underpinnings of fashion
desire.
NM: Fashion has potential for revolution, it creates so many personalities and is weirdly accepting of every genre, but is always Over The Top. It is one of capitalism’s desire industries. But maybe it can evolve away from capitalism. Have you suffered extreme pain for fashion, think about your desires. Watch Simbi and Nicola walk the runway and each other in their stillettos while the one lying down sings the song. Then you can participate and allow sexy chicksi to walk on you with sexy shoes, while they sing, watch them stumble, feel the pain and know that you are doing it for love for ending capitalism. Capitalism and fashion die for a new fashion. Songs remixed and sung by Nicola and Simbi – “Tainted Love”, “Sweet Dreams.”
Act Four – Branding – Sticky Tape
NM: Our desires are linked to our visual representation. From early times we branded our skin, primal branding tattoos of animals to despotic tattoos, then came the notion of representing yourself in the world as “good” or “bad” but now we are in an era of capitalism branding – a total explosion of many different brands that don’t mean a thing. no longer on skin but in your mind, in the media, representing total artificial – no more good and bad, so again we take it further. We will cover ourselves with transparent sticky tape, coloured sticky tape, take photos of each other, create fake brands on white stickers, rebrand the walls and each other, while Nicola and Simbi re-enact and remix a Sony TV Commercial, by singing Knife “Heartbeats” and throwing multi colored balls in the air. The crowd will make themselves like mummies, so the capitalist media cannot enter our brains, eyes, nose, chakras.
Act Five – Swings
NM: Get ready to fight with your psychic powers. To duel, to fight each other blind. If you want to get on swing, you can put kenong over your head and we give you a stick – then you can stand on the swings we built here, and try to hit other people’s kenong heads with stick to make sound. People standing can use helmet and blindfold and chains, everyone else need to run away. Simbi will play Debussy “Exotiques” and “Canopes” to represent this trance like sound – which originates here in jawa – the gamelan – to give everyone psychic power.
Act Six – Stacks On Slayer
NM: “Stacks On” is an Australian term, it is related to sport and punk music. It is when one person falls on the floor and then everyone jumps on top of them, creating a suffocating rubbish pile. Capitalism creates so much Rubbish. Listen to these two songs, which do you like better? They are songs by Slayer. The first is called Angel of Death, the second one is called Raining Blood. Which do you like better? The audience creates rubbish piles to vote for each song to symbolise the excessive rubbish that captialism creates.
Act Seven – Death Metal Yoga
SD: As to the yoga to death metal, I often thought music used for yoga is
a bit cliche. Seemed like a lot of times life is more like death
metal than a contemporary remix of Indian chant, I thought its
interesting to explore the feelings associated with noise and metal.
I've often found listening to noise and metal to be a blissful
experience, so why not make yoga more blissful in a new, modern way.
Metal has also symbolized the revolt from tradition and the
exploration of dark emotions and shadow material in a variety of
cultures all over the world. In the yoga community coming to peace
with the shadow and dark emotions is rarely explored, and I think
that is a significant weakness in the movement. Traditional
structures are inevitably crumbling and its good to find peace within
their destruction. I read passages from the Tibetan Book of the Dead
in which prayers are said to guide you safely through the underworld
so that you can be reborn as bodhisattva. This is to symbolize
guidance through the death of capitalism and of the 4th Sun into the
5th Sun (Mayan) safely and in fact blissfully.
Encore – Nina Simone “I’ve Got Life” – Simbi sing and piano,
Sunday, 12 June 2011
The Shamanic Death of Capitalism: Jogja National Museum, Friday June 24
The Shamanic Death of Capitalism ft Death Metal Yoga w/ Cangkang Serigala (Ican) – 2.5 jam & closing oleh Terbajurkaku
Minggu lalu, Society muncul ke hadapan Nicola dan Simbi dan mengajak mereka untuk menjadi Shaman. Society perlu untuk menyingkir dari identitas Kapitalistnya agar dapat mulai melakukan penyembuhan. Kematian shamanic merupakan kematian simbolik dari permulaan (Society); dari gaya hidup kuno dan identitas personal (Kapitalisme). Kematian Shaman meliputi ujian brutal kekuatan fisik, kemampuan fisik, dan tekanan kuat pada setiap 'tombol' emosi. Nicola dan Simbi mengidentifikasikan manipulasi-manipulasi psychedelic Kapitalisme terhadap masyarakat sebagai kontrol dan menimbulkan kegilaan ringan (paranoia). Menolak Paranoia! Kami telah menemukan ritual-ritual untuk menghina dan menyiksa, agar Kapitalime benar-benar gila (Schizophrenic).
Ritual kami membongkar semua bentuk-bentuk konsep "diri" kapitalis, kami menghina dan meludahi kapitalisme. Dirimu adalah masyarakat dan kamu bisa bergabung. Kami berjalan di sekelilingmu dengan sepatu hak tinggi. Kami melakukan Yoga dengan Death Metal. Kami meneriakan ritual kematian panjang untuk Kapitalisme. Kami sesak dan menguburmu sehingga hanya suara sampah yang terdengar olehmu. Kami memainkan tantangan fisik dan gamelan bersamamu, membunyikan Kenong dan Ketuk di sekeliling kepalamu dan berayun di langit-langit. Singkirkan dirimu dari identitas kapitalis kunomu! Datang ke JNM, tanggal 25 Juni ini!
Nicola Morton adalah seniman dibawah program Asialink yang sedang melakukan residensi di Performance Klub dan disponsori oleh Australia-Indonesia Institute and Arts Queensland. Ia belajar musik di Australia dan pernah tampil dengan noise band baik di Australia maupun Eropa, pentas di panggung yang sama dengan Venetian Snares, Faust, Awesome Color dan The Hospitals. Film fisik eksperimentalnya "Remote Viewing Experiment" (2010) masuk ke dalam daftar terpilih international awards dan telah diputar di banyak negara. Ia saat ini fokus dalam performance art, residensi, dan menulis tentang perubahan sosial.
Simbi Dare belajar literatur komparatif dari Jean Baudrillard di Universitas Columbia, USA dan sekarang mengajar Yoga di Bali sembari belajar Gamelan, menulis horoskop dan membuat musik Dubstep. Simbi bermain keybosrd untuk NY 8o's Punk Band, Bruno Wizard & The Homosexuals. Simbi dan Nicola telah bekerjasama dalam sejumlah ragam jenis musik seperti Didre Dootlittle (2007), menulis sejumlah artikel untuk Herr Entertainment (2007), Mind Objects: A Phenomenological Inquiry (2009) dan juga ritual shaman untuk Asheville Art Museum (2010).
The Shamanic Death of Capitalism ft Death Metal Yoga w/ Cangkang Serigala (Ican) – 2.5 hours
Last week, Society appeared to Nicola and Simbi and asked to become a Shaman. Society needs to rid itself of its old Capitalist identity in order for it to start healing. Shamanic death is the symbolic death of the initiate (Society), to the old ways of life and personal identity (Capitalism). Shamanic death entails brutal tests of physical strength, psychic ability and having every emotional “button” pushed hard. Nicola and Simbi have identified Capitalism’s psychedelic manipulations of society that control and limit madness (Paranoia). No more Paranoia. We have devised rituals to taunt and torture, to make Capitalism truly Mad (Schizophrenic).
Our rituals break down all former notions of the capitalist “self,” We taunt and spit on capitalism. You are society and you can join in. We walk all over you with our high heel stilettos. We do yoga to death metal. We scream long death rites for Capitalism. We suffocate and bury you until all you can hear is trash. We play psychic dares and gamelan with you as we put Kenong and Ketuk over our heads and swing from the ceiling. Rid yourself of your old capitalist identity! Come to JNM, 25 June.
Nicola Morton is an artist in residence at Performance Klub for the Asialink Program and is sponsored by Australia-Indonesia Institute and Arts Queensland. She studied music in Australia and performed in noise bands across Australia and Europe, sharing stages with Venetian Snares, Faust, Awesome Color and The Hospitals. Her psychic experiment film "Remote Viewing Experiment" (2010) has been shortlisted for international awards and screened internationally. She currently focuses her enthusiasm on performance art, residencies and writing for social change. Simbi Dare studied comparative literature with Jean Baudrillard at Columbia University, USA and now teaches yoga in Bali while learning Gamelan, writing horoscopes and making Dubstep music. Simbi plays keyboard for NY 80's Punk band, Bruno Wizard & The Homosexuals. Simbi and Nicola have worked together across several disciplines- musically as Deidre Doolittle (2007), writing for the magazines Herr Entertainment (2007), Mind Objects: A Phenomenological Inquiry (2009) plus as ritual shamans for Asheville Art Museum (2010).
Minggu lalu, Society muncul ke hadapan Nicola dan Simbi dan mengajak mereka untuk menjadi Shaman. Society perlu untuk menyingkir dari identitas Kapitalistnya agar dapat mulai melakukan penyembuhan. Kematian shamanic merupakan kematian simbolik dari permulaan (Society); dari gaya hidup kuno dan identitas personal (Kapitalisme). Kematian Shaman meliputi ujian brutal kekuatan fisik, kemampuan fisik, dan tekanan kuat pada setiap 'tombol' emosi. Nicola dan Simbi mengidentifikasikan manipulasi-manipulasi psychedelic Kapitalisme terhadap masyarakat sebagai kontrol dan menimbulkan kegilaan ringan (paranoia). Menolak Paranoia! Kami telah menemukan ritual-ritual untuk menghina dan menyiksa, agar Kapitalime benar-benar gila (Schizophrenic).
Ritual kami membongkar semua bentuk-bentuk konsep "diri" kapitalis, kami menghina dan meludahi kapitalisme. Dirimu adalah masyarakat dan kamu bisa bergabung. Kami berjalan di sekelilingmu dengan sepatu hak tinggi. Kami melakukan Yoga dengan Death Metal. Kami meneriakan ritual kematian panjang untuk Kapitalisme. Kami sesak dan menguburmu sehingga hanya suara sampah yang terdengar olehmu. Kami memainkan tantangan fisik dan gamelan bersamamu, membunyikan Kenong dan Ketuk di sekeliling kepalamu dan berayun di langit-langit. Singkirkan dirimu dari identitas kapitalis kunomu! Datang ke JNM, tanggal 25 Juni ini!
Nicola Morton adalah seniman dibawah program Asialink yang sedang melakukan residensi di Performance Klub dan disponsori oleh Australia-Indonesia Institute and Arts Queensland. Ia belajar musik di Australia dan pernah tampil dengan noise band baik di Australia maupun Eropa, pentas di panggung yang sama dengan Venetian Snares, Faust, Awesome Color dan The Hospitals. Film fisik eksperimentalnya "Remote Viewing Experiment" (2010) masuk ke dalam daftar terpilih international awards dan telah diputar di banyak negara. Ia saat ini fokus dalam performance art, residensi, dan menulis tentang perubahan sosial.
Simbi Dare belajar literatur komparatif dari Jean Baudrillard di Universitas Columbia, USA dan sekarang mengajar Yoga di Bali sembari belajar Gamelan, menulis horoskop dan membuat musik Dubstep. Simbi bermain keybosrd untuk NY 8o's Punk Band, Bruno Wizard & The Homosexuals. Simbi dan Nicola telah bekerjasama dalam sejumlah ragam jenis musik seperti Didre Dootlittle (2007), menulis sejumlah artikel untuk Herr Entertainment (2007), Mind Objects: A Phenomenological Inquiry (2009) dan juga ritual shaman untuk Asheville Art Museum (2010).
The Shamanic Death of Capitalism ft Death Metal Yoga w/ Cangkang Serigala (Ican) – 2.5 hours
Last week, Society appeared to Nicola and Simbi and asked to become a Shaman. Society needs to rid itself of its old Capitalist identity in order for it to start healing. Shamanic death is the symbolic death of the initiate (Society), to the old ways of life and personal identity (Capitalism). Shamanic death entails brutal tests of physical strength, psychic ability and having every emotional “button” pushed hard. Nicola and Simbi have identified Capitalism’s psychedelic manipulations of society that control and limit madness (Paranoia). No more Paranoia. We have devised rituals to taunt and torture, to make Capitalism truly Mad (Schizophrenic).
Our rituals break down all former notions of the capitalist “self,” We taunt and spit on capitalism. You are society and you can join in. We walk all over you with our high heel stilettos. We do yoga to death metal. We scream long death rites for Capitalism. We suffocate and bury you until all you can hear is trash. We play psychic dares and gamelan with you as we put Kenong and Ketuk over our heads and swing from the ceiling. Rid yourself of your old capitalist identity! Come to JNM, 25 June.
Nicola Morton is an artist in residence at Performance Klub for the Asialink Program and is sponsored by Australia-Indonesia Institute and Arts Queensland. She studied music in Australia and performed in noise bands across Australia and Europe, sharing stages with Venetian Snares, Faust, Awesome Color and The Hospitals. Her psychic experiment film "Remote Viewing Experiment" (2010) has been shortlisted for international awards and screened internationally. She currently focuses her enthusiasm on performance art, residencies and writing for social change. Simbi Dare studied comparative literature with Jean Baudrillard at Columbia University, USA and now teaches yoga in Bali while learning Gamelan, writing horoscopes and making Dubstep music. Simbi plays keyboard for NY 80's Punk band, Bruno Wizard & The Homosexuals. Simbi and Nicola have worked together across several disciplines- musically as Deidre Doolittle (2007), writing for the magazines Herr Entertainment (2007), Mind Objects: A Phenomenological Inquiry (2009) plus as ritual shamans for Asheville Art Museum (2010).
Thursday, 22 July 2010
A Transformative Event: For 7 Days We Talked Until The Point of Exhaustion
with Simbi Dare, Pack Place, Asheville Art Museum
This is film documentation from 'For Seven Days We Talked Until the Point of Exhaustion' by Simbi Dare and Nicola Morton at Asheville Art Museum, NC, USA. The audio consists of live marimbas played as part of this performance. An alternative soundtrack of the "secret dialogue" can be purchased from the artists via Paypal for $1: bit.ly/aXtHNr. This film was then used for the performance of Nicola Morton 'Disembraining Time Machine' at Tidy Kid Space, Brisbane, Australia. Filmed and edited together were natural repetitions during this 7 day period. The purpose of the film medium, sense of repetition and ritual is to present a non-linear concept of time that can be travelled even though it cannot be measured. This prepares the audience for time travel. What happened to the crowd while this was projected, you can read here: bit.ly/aH8EaT
More about the Asheville performance: The idea of the feminine pow wow, endurance, bringing new archetypes into our lives to reinvent the old ones. Britney became Beyonce, Gwenyth became Kali. "before anything, I just want to let you know, that it's over"
This is film documentation from 'For Seven Days We Talked Until the Point of Exhaustion' by Simbi Dare and Nicola Morton at Asheville Art Museum, NC, USA. The audio consists of live marimbas played as part of this performance. An alternative soundtrack of the "secret dialogue" can be purchased from the artists via Paypal for $1: bit.ly/aXtHNr. This film was then used for the performance of Nicola Morton 'Disembraining Time Machine' at Tidy Kid Space, Brisbane, Australia. Filmed and edited together were natural repetitions during this 7 day period. The purpose of the film medium, sense of repetition and ritual is to present a non-linear concept of time that can be travelled even though it cannot be measured. This prepares the audience for time travel. What happened to the crowd while this was projected, you can read here: bit.ly/aH8EaT
More about the Asheville performance: The idea of the feminine pow wow, endurance, bringing new archetypes into our lives to reinvent the old ones. Britney became Beyonce, Gwenyth became Kali. "before anything, I just want to let you know, that it's over"
Monday, 5 July 2010
Sunday, 7 June 2009
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