Monday, 4 June 2012

Unicorns and Slow Revolution (I am Wild Free and Beautiful Pt2)


“Unicorns and Slow Revolution (I am Wild, Free and Beautiful Part 2)” (7/06/2012-10/06/2012) Video Installation 5mx2mx1.5m (Recycled cardboard, plastic bags, dog hair, rice, mirror, tree bark, 15 min subtitled AV projection, instructions, crayons) Psycho Subtropics 2: Available States at Serial Space, Sydney
Connecting the collective imagination of unicorns to transitions. Blindfolded collaborative drawing confuses the intelligible and unintelligible, it confuses the cis-norm. Intimate interviews are projected within a psychic ritual space – an alchemy for unicorns to emerge. It is the artist’s hope by connecting to the collective unconscious/fantasy/imagination a slow revolution will occur towards natural unintelligible disorder, existence in a simultaneous epoch of all ‘available states.’




Sunday, 3 June 2012

A Walk Walk With The Moon

Slow footsteps chasing ephemeral ecstacy,
Cautious conscious repetition for chance outcomes,
Planetary cycles, rubbish bins, shoes that no longer run
Musical connection in the void where words don’t mean a thing
these steps are my void reality wings
so i walk nowhere.

Free Improvised Music. Free Improvised Walking in search of provoking stimuli. The void connects concentric circles of chance. Architectural voids in undustrial wastelands, the heart void, the head void, the home void, all collapsing into one moment.

 "on the streets - be seen - as artists - as the fabric of culture - a fabric of change - a fabric of life- art walk walking art - walking - art” - Michael Mayhew


Released on vimeo click there: 6th June for Psycho Subtropics at Serial Space, Sydney

or with an alternative soundtrack

Club Sound Witches "Uprok"

Music Video for my new techno jam band, Club Sound Witch.  Filmed in Jalan Lembang, Jakarta, Indonesia

you can buy us from http://volcanictongue.com/artists/browse/Club%2BSound%2BWitches
heres the review:
New primitive ‘techno’ outfit from Matt Earle (Breakdance/Craft Bandits/xNoBBQx et al) and Nicola Morton (Wardenburger): minimalist throbbing electro-threat in the tradition of Vanity Records, Two Daughters, John Fothergill’s United Dairies of-shoot etc with automatic/modulated female vocals over druggy keyboard feedback and waves of lapping electricity: “our synth and drum machines were under water for three days in the Brisbane floods, they were given to us to prevent us from self harming. It gave them a unique sound. Wet, dirty and about to set the building on fire.” – Matt Earle. Another singular Breakdance release.

watch you youtube version here:


Plus we r released now on CD and cassette on Breakdance The Dawn.. for reading this you can get a preview minus track one

Monday, 9 April 2012

Static Ice Melt at 'Cage in Us'

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Nicola Morton Static Ice Melt 12/04/2012 Performance 1hr10min; Video 15min; Installation 2.2mx2.2mx0.5m ice, recycled wood, newspaper, diary entries, polyeurethane film; Photographic Installation/Costume 2mx1.5m 32 modified 4x6prints on recycled plastic; for “The Cage In Us” Judith Wright Center of Contemporary Art, Brisbane.


The performance/installation happens simultaneously with Cage’s Theater Pieces (1960) as part of the “Cage In Us” festival celebrating John Cage’s 100th birthday. The performance experiments with ideas of psychological static and melting vs stasis and shedding at the autumn equinox.
The performance is an audio-visual experiment and durational. Nicola lies on a bed of ice for 1hr and 10 minutes. Sounds from VLF receivers and static are produced, accompanied by a projection of a performance for video of an autumn equinox ritual, Nicola screaming at the edges of a gigantic waterfall. The bed of ice is installed surrounded and littered by photographs, newspapers and diary entries spanning the last year and a half. Nicola wears a camoflauge hooded costume made out of transparent cellophane and photos. The photos reflect stasis, and consist mostly of lone psychedelic experiences with strangers and the built environment.
The audience response was also an experiment (and on reflection, frustratingly ironic). Mostly the viewers sit down and read the diary entries to the freezing Nicola, a weird time warp happens as they read her own diary entries to her, trying to keep her mind engaged while she slowly becomes frozen from the ice. An unexpected sense of community was experienced.
Psychedelic and shamanic forces vacillate between static (permanent) and (stasis) temporary. Sharing a shedding ritual is problematic. In an attempt to psychologically free herself from her diary entries and photographic memories of stasis nothing is actually shed at all. The community rescues the entries and upholds the static till her death. Media triumphs forever as static. Shedding is truly temporary. Ice melts.












Nicola&Noise: 10 Year Retrospective

Celebrating 10 years of myself in live noise music.

Equalizer 24K: 2012

Live at Intervention #5, Stefan's Skyneedle, South Brisbane. 2012


 Equalizer 24K: 2000-2003

 Sticker. Photo by Natalie.


Photo by Michelle Brown

 abbaabba: 2006-2009

Live at Wasted Festival, Transmediale, Berlin  2007
Photo by photofunk.de
Photo by Jason Forrest

Photo by Jason Forrest

Live at Aktoer and Vanner Theater, Gothenberg, Sweden. 2009.

Photo by Eric Westward
Photo by Eric Westward

Live at 1000fyrd, Aalborg, Denmark. 2009
Photo by Nuno Alexandre
Photo by Nuno Alexandre

Nicola composes Life is a Rubiks Cube: 2010

Live at Tidy Kid Space, Wooloongabba 2010

Nicola and Simbi: 2011 

Live at Bali Seamen's Club, Sanur, Indonesia 2011
 
Videostill by Irinka

Warden Burger: 2012

Live at Substation, Paddington, Brisbane 2012.
 
 
 



Wednesday, 8 February 2012

The Only Good Woman is A Dead Woman - Recoding Death of Fantasy and Beauty


On Friday 13th Jan, 2012 Nicola will perform two rituals for the empowerment of women - recoding death of fantasy and beauty. Features - projections, performance, install of red, yellow, blue hand and face sensor stickers, dangdut, hair whipping.
(text continues after video...)

“The Only Good Woman Is A Dead Woman” is a quote from Slavoj Zizek’s A Pervert’s Guide to Cinema he stipulates in cinema (a medium that now guides our fantasies) the death of the female (fantasy) keeps the male libidinal economy going onward and upward. I want to steal the power of death of fantasy from men and give it back to women. There are hands and face sillhouettes around the room where audience can place their hands or face, I ask them to confide in me, just by placing their thoughts into the ground or the glass – thoughts of a life or death of a fantasy. I do this by using projections and music. I will transform cinema into a sexy musical dominion where male and female fantasies live forever. Look at the footage, live the dangdut. In one of the shopfront windows I write all my ‘shut down’ lines on to dry rice paper over the projection. I project the aesthetic themes of Life, Death, Fantasy > Light, Dark, Fire and then take the dry rice paper circles, wet them stick them over my body. All of this aurally supported by a mix of Kylie Minogue's "Confide in Me" with Dangdut and Tecno Brega music. Re: Kylie, she took us the right way from hollywood (well Neighbours to being a sexy dancer, no fucker is gonna kill her now or make her move to Brisbane so Scott and the rest of the Neighbours can continue their shit!!!)

Then towards beauty and the water, that transformed the rice paper circles I add glitter, dip my hair in it and invite the audience to do the same as we  "Whip my hair back and forth." Men can’t kill a woman’s fantasies, they live on and are transferred.

I present the sexual fantasy of dangdut, a provocative dance slightly incongruous to the region's Islamic values, but one which is trance like, so never dies.. we get in a hair whipping trance..
According to The Culture Code by Clotaire Rapaille, (Western culture’s) cultural code for beauty is ‘men’s salvation’ – do we really work hard to impress each other with our beauty to prove our ability to save men? There is all this woman on woman anger, that extends to racial ie. white women v asian women – white women think men want asian women more and asian women think men want white women more. BUT LADY GAGA IS BEAUTIFUL AND DOESN’T SAVE MEN. In the pursuit of alien beauty, we find an alternative, feasting from the glitter I laid out earlier on in the night, everyone has glitter on our hands and faces and projected are the phrases “I only wear free trade and recycled clothing,”  “My make up is not tested on animals,” and "Aliens can overthrow the state" – we transform to beautiful caring aliens.
Video:


Window and Floor Install Plans:


Below are some video stills from projection and performance. Performance stills by KT Spit: