Tuesday, 7 August 2012

I am Wild, Free and Beautiful VHS release

The most sought after woman about town, Miss Sarah Byrne is undertaking to do a fantastic VHS library, VIDEOEASY open Aug-Sept. I've submitted 3 videos..

 I thought about the videos I would like to convert to VHS to highlight the offset the VHS Library aims to make between contemporary video making and nostalgic video obsession.

“I am Wild, Free and Beautiful” (2010) Hunter St Mall, Newcastle. This special ‘Directors Cut’ references how contemporary DIY handycam art practice (cf Olaf Breuning) parallels the nostalgic cheesy ‘VHS family home movie,’ where Dad’s/Mom’s voice behind the camera makes directive or oblique comments. This impromptu video survey/portrait of passersby in Newcastles’ Hunter St Mall features Nicola behind the camera as an unseen voice, coaxing members of the general public to be filmed for her wacky project, all they had to do was say the words, “I am Wild, Free and Beautiful” 3 times. Upon viewing, one is impressed by the power of these magical words upon the face of the strangers but also the challenging, repetitive nature of the communication artefacts generated in the instructional collaboration between (the in-presence) artist and (on-camera) stranger. Made as part of the Renew Newcastle Residency. .


In the Library you will also find "Proof of Time Travel and Alternative Intelligence" (2010) Helsinki, Brisbane. 
Nostalgia is a broken down ute on the highway of time travel, video art is an intersection of and reproduction of time travel simultaneously. The recording of moving time, and time itself being moved was the medium for our time travel. We channel the creative force of Om to cleanse and charge us. Artificial-Alternative intelligence can be created from the sparks that imitate neuron activity when human bodies are networked sensorily and cognitively. We use the cognitive process of mindmapping 'Spiders' and fast group word/touch/smell/musical association to generate synaptic activity across all bodies in the room, this activity/energy will create an ulterior form of intelligence. I wanted to rewrite my past, not just in my mind but also in other peoples (and their preconceptions) plus somehow affect the technology that recorded it. Time is not homogenous. Time is not linear. Time travel subsists of our phenomenal perception/s of other times/dimensions. Released for youtube..

plus the shit i have to pass everyday

“Equalizer 24K 10 Year Resurrection” (2012) Stefan’s Sky Needle, Brisbane.
This year I have been on a nostalgia trip, most noticeably since it’s been 10 years since I first started making noise music. After an explosive first year of noise, I stopped due to crazy relationship stuff that after a couple of years in a coma (a very dark place) in Brisbane was still not fixed, but an eventual move to Berlin did fix. As part of finally embracing a return to Brisbane, on Good Friday 2012, I transformed the bad memories and good tunes of Equalizer 24K. As most data/music from 10 years ago had been erased, I could effectively use my new improvised noise style to mess up those memories and perform to new and old crowds.
Made for Interventions#5




Monday, 4 June 2012

Unicorns and Slow Revolution (I am Wild Free and Beautiful Pt2)


“Unicorns and Slow Revolution (I am Wild, Free and Beautiful Part 2)” (7/06/2012-10/06/2012) Video Installation 5mx2mx1.5m (Recycled cardboard, plastic bags, dog hair, rice, mirror, tree bark, 15 min subtitled AV projection, instructions, crayons) Psycho Subtropics 2: Available States at Serial Space, Sydney
Connecting the collective imagination of unicorns to transitions. Blindfolded collaborative drawing confuses the intelligible and unintelligible, it confuses the cis-norm. Intimate interviews are projected within a psychic ritual space – an alchemy for unicorns to emerge. It is the artist’s hope by connecting to the collective unconscious/fantasy/imagination a slow revolution will occur towards natural unintelligible disorder, existence in a simultaneous epoch of all ‘available states.’




Sunday, 3 June 2012

A Walk Walk With The Moon

Slow footsteps chasing ephemeral ecstacy,
Cautious conscious repetition for chance outcomes,
Planetary cycles, rubbish bins, shoes that no longer run
Musical connection in the void where words don’t mean a thing
these steps are my void reality wings
so i walk nowhere.

Free Improvised Music. Free Improvised Walking in search of provoking stimuli. The void connects concentric circles of chance. Architectural voids in undustrial wastelands, the heart void, the head void, the home void, all collapsing into one moment.

 "on the streets - be seen - as artists - as the fabric of culture - a fabric of change - a fabric of life- art walk walking art - walking - art” - Michael Mayhew


Released on vimeo click there: 6th June for Psycho Subtropics at Serial Space, Sydney

or with an alternative soundtrack

Club Sound Witches "Uprok"

Music Video for my new techno jam band, Club Sound Witch.  Filmed in Jalan Lembang, Jakarta, Indonesia

you can buy us from http://volcanictongue.com/artists/browse/Club%2BSound%2BWitches
heres the review:
New primitive ‘techno’ outfit from Matt Earle (Breakdance/Craft Bandits/xNoBBQx et al) and Nicola Morton (Wardenburger): minimalist throbbing electro-threat in the tradition of Vanity Records, Two Daughters, John Fothergill’s United Dairies of-shoot etc with automatic/modulated female vocals over druggy keyboard feedback and waves of lapping electricity: “our synth and drum machines were under water for three days in the Brisbane floods, they were given to us to prevent us from self harming. It gave them a unique sound. Wet, dirty and about to set the building on fire.” – Matt Earle. Another singular Breakdance release.

watch you youtube version here:


Plus we r released now on CD and cassette on Breakdance The Dawn.. for reading this you can get a preview minus track one

Monday, 9 April 2012

Static Ice Melt at 'Cage in Us'

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Nicola Morton Static Ice Melt 12/04/2012 Performance 1hr10min; Video 15min; Installation 2.2mx2.2mx0.5m ice, recycled wood, newspaper, diary entries, polyeurethane film; Photographic Installation/Costume 2mx1.5m 32 modified 4x6prints on recycled plastic; for “The Cage In Us” Judith Wright Center of Contemporary Art, Brisbane.


The performance/installation happens simultaneously with Cage’s Theater Pieces (1960) as part of the “Cage In Us” festival celebrating John Cage’s 100th birthday. The performance experiments with ideas of psychological static and melting vs stasis and shedding at the autumn equinox.
The performance is an audio-visual experiment and durational. Nicola lies on a bed of ice for 1hr and 10 minutes. Sounds from VLF receivers and static are produced, accompanied by a projection of a performance for video of an autumn equinox ritual, Nicola screaming at the edges of a gigantic waterfall. The bed of ice is installed surrounded and littered by photographs, newspapers and diary entries spanning the last year and a half. Nicola wears a camoflauge hooded costume made out of transparent cellophane and photos. The photos reflect stasis, and consist mostly of lone psychedelic experiences with strangers and the built environment.
The audience response was also an experiment (and on reflection, frustratingly ironic). Mostly the viewers sit down and read the diary entries to the freezing Nicola, a weird time warp happens as they read her own diary entries to her, trying to keep her mind engaged while she slowly becomes frozen from the ice. An unexpected sense of community was experienced.
Psychedelic and shamanic forces vacillate between static (permanent) and (stasis) temporary. Sharing a shedding ritual is problematic. In an attempt to psychologically free herself from her diary entries and photographic memories of stasis nothing is actually shed at all. The community rescues the entries and upholds the static till her death. Media triumphs forever as static. Shedding is truly temporary. Ice melts.












Nicola&Noise: 10 Year Retrospective

Celebrating 10 years of myself in live noise music.

Equalizer 24K: 2012

Live at Intervention #5, Stefan's Skyneedle, South Brisbane. 2012


 Equalizer 24K: 2000-2003

 Sticker. Photo by Natalie.


Photo by Michelle Brown

 abbaabba: 2006-2009

Live at Wasted Festival, Transmediale, Berlin  2007
Photo by photofunk.de
Photo by Jason Forrest

Photo by Jason Forrest

Live at Aktoer and Vanner Theater, Gothenberg, Sweden. 2009.

Photo by Eric Westward
Photo by Eric Westward

Live at 1000fyrd, Aalborg, Denmark. 2009
Photo by Nuno Alexandre
Photo by Nuno Alexandre

Nicola composes Life is a Rubiks Cube: 2010

Live at Tidy Kid Space, Wooloongabba 2010

Nicola and Simbi: 2011 

Live at Bali Seamen's Club, Sanur, Indonesia 2011
 
Videostill by Irinka

Warden Burger: 2012

Live at Substation, Paddington, Brisbane 2012.