I was interviewed by Cristina Sk for this article in Hong Kong Arts Magazine, Pipeline (2012) "Other Wicked Catalysts" Jan/Feb 2012, p36.
An online issue is available here --- Read the editorial then skip to p36 to read what I have to say.
From Editorial, Cristina Sanchez Kozyreva "Asthma and Other Wicked Catalysts"
"Australian performance artist, Nicola Morton (p.36) writes about her performance "12 Ways to Masturbate with a Melodica" where she sublimates the culturally variable perceptions and questionings she receives about her origins and her womanhood; a performative experience that at the same time holds universal ideological value, and is individualistically liberating."
Here is my text...
I am half Chinese-Malay, half Australian and doing a residency in
Indonesia. But in Indonesia, I am white. I am a buleh, a western woman.
One of my biggest impressions in Indonesia is how they view Western
women. We are seen to be so sexually free (with positive and negative
attributions). When I was asked to do a performance in the Pendopo
Mangkubumen, Universitas Widya Mataram, Yogyakarta. I of course said
yes, because it is a beautiful old pavillion and was part of the Kraton
dynasty in Yogyakarta. I thought that a 'veiled' ie. non-literal,
non-translated performance about sexual identity within an Islamic
Institution would be symbolic of how my sexual identity is judged here. I
also wanted to focus on the transformative element of taking an
autonomous-self-ego ritual and presenting/exposing its broader symbols
in the collective unconscious, for in the end, I want to break down the
borders and create mutual understanding among us all. In a Western
society because of my Asian heritage I am sexualised as 'smart' and
'indie' - the symbol I chose for this is the Melodica (Pianica) and thus Simbi and I chose to expose 12 concepts of masturbation along the 12 notes of the
western musical scale - fantasy, paint, thumbs, flowers, chains,
asphyxiation, stars, humping, scissoring, water, pressure, knife. The 12
melodicas were hand decorated to each of these themes, and given away
to the crowd at the end of the performance.
I am not an overt sexual performer, ie i have never performed naked,
other works of mine have cynically commented on sexuality as a
lure/desire. this maybe explains my sudden and dramatic disdain at
suddenly being seen as a 'slut.' I was not concerned about being seen as a slut during the performance
as i consider performance to be transformative. I wanted to open
thoughts. The reaction to performance was good and respectful, mostly
because we gave away the 12 melodicas. But my biggest impression was on
children, we had children come up during the performance and play with
the paper stars and throw flowers at us. Plus they were the ones who got
melodicas. There‘s hope for change. The children playing along supports the idea of collective veiled sexuality
where there are no judgements made and they weren't shouting, “hello
The main aim of the piece was to expose we all have the same fantasies
rooted in our collective unconscious. And even though I am white, I can
put masturbation under this conceptual art ‘veil‘ and make it playful. Plus it illustrates that sexual fantasy is not just a western
prerogative/consumer product but something more rooted in the earth and
in the spaces between our consciousnesses and of course the human‘s